I began photographing as a teenager, learning the craft in my father's darkroom long before images became instant and disposable. After many years working digitally, I felt the need to return — not out of nostalgia, but to change how I see.
Working with film again slowed the process enough to notice what I had stopped paying attention to: quiet scenes, overlooked places, and everyday surroundings.
Photography became less about capturing and more about looking — carefully, deliberately, and without urgency.
In a world that moves too fast, I choose to slow down — one frame at a time.